Netflix’s Newest Horror Series ‘1899’ From the Creators of ‘Dark’ Is a Trippy Mindf*ck

Dark This was one of Netflix’s most original and interesting series, a time travel puzzle box disaster about grief, loss and regret. Show creators Jantje Friese and Baran bo Odar don’t stray from that winning template with 1899another head-spinning multi-character relationship that piles mystery upon mystery to an agonizing degree.

It’s hard to be clear in the German’s latest eight-part effort, and sometimes that can be more painful than enjoyable. Nevertheless, there is still much to savor about this piece of whirligig, which spins round and round until it becomes difficult to separate fact from fiction – if, that is, anything at all in this true saga.

Perhaps the biggest shortcoming 1899 (which premieres on November 17th) that it seems he intends to transcend the previous darkness. There is a difference between ominous instability and unthinkable murder, and Friese’s and bo Odar’s series often yield to the latter. He puts so much emphasis on his lurid drama in pitch-black scenes that it’s hard to make anything out.

It’s a matter of atmospheric desirability, and it’s all the more frustrating because the beauty of the show is effectively terrifying. Corridors and rooms are lit by iridescent lamps and candles, billows of smoke that shroud and conceal, and shiny contraptions and devices that have as shadowy a purpose as the passages and portals his characters come to navigate. .

Before one begins to cross over into different realms, 1899 sets her sights aboard the Kerberos, a turn-of-the-century European ship bound for America whose passengers are an international lot (and therefore multilingual) in search of a new beginning. Among the biggest is Maura Franklin (Emily Beecham).

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When her character is introduced, she has a dream in which she screams at her shadowy father about her missing brother while strapped to a medical chair. When she wakes up, there is a letter from her sibling that says, “Don’t trust anyone.” Maura is a British doctor with a special focus on the brain, but her repetition of her name, city and date shows that her own noggin is not in good order work The strap-marks on her wrist indicate that her dream may not have been better than her recent memory.

Other Kerberos passengers also revisit traumatic – and often death-related – memories during their sleep, including the German ship captain Eyk (Darkand Andreas Pietschmann), whose family met with a terrible event. Why do these statements always end with amazing visions of a pyramid, a swirling vortex and a silent command to “Wake up!” It’s impossible to explain at first, although things become at least a little clearer (relatively speaking) thanks to a surprising turn of events.

A few days out from the destination, Eyk and his teammates receive a signal from another company ship, the Prometheus, which had gone missing four months earlier. Even more shocking, when they find the Prometheus and examine its interior, they find it in disarray and completely empty, except for a young boy (Fflyn Edwards) locked inside a bar cabinet, who refuses to speak and carries a small black pyramid with him. .

No one knows what could have happened to the Prometheus, and 1899 only slowly provides clues – all accompanied by three more baffling bombshells that keep things perpetually hazy.

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As Eyk and Maura struggle to make heads or tails of their situation, the series introduces several characters whose fates are surely intertwined: Spanish player Ángel (Miguel Bernardeau) and her faux-priest lover Ramiro (José Pimentão); Chinese immigrant-turned-Japanese geisha Ling Yi (Isabella Wei) and her mother Yuk Je (Gabby Wong); Ling Yi’s American mistress, Mrs. Wilson (Rosalie Craig); Polish foundry worker Olek (Maciej Musiał); French stowaway Jérôme (Yaan Gael), and newlyweds Lucien (Jonas Bloquet) and Clémence (Mathilde Ollivier); Danish lower-deckers Tove (Clara Rosager), her brother Krester (Lucas Lynggaard Tønnesen), and her religious parents Iben (Maria Erwolter) and Anker (Alexandre Willaume); and Eyk’s right-hand man Franz (Isaak Dentler).

They all have destructive and/or disturbing secrets, and their problems become hopelessly intertwined when the boy is taken from the Prometheus to the Kerberos and strange events begin to unfold.

Following in the footsteps of Friese and bo Odar’s previous series, Dark, there is also a mysterious man on board the Kerberos named Daniel (Aneurin Barnard), who apparently has a connection with Maura and uses a small spidery beetle to perform miraculous feats. In addition, Maura’s father (Game of Thrones‘ Anton Lesser) is a very shady and furry bigwig, who works out of a luxurious office with a wall of television monitors – which it seems, as it is. Dark, 1899the story spans many centuries.

These factors are slightly lower than the innovation of the transactions, as is the lack of concrete answers. Anyone looking for quick and easy resolutions should look elsewhere, as the show works overtime to keep the fleet of minute-to-minute action moving and moving as long as it lasts. the bigger picture just disappears.

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Dark vets won’t have much trouble tuning themselves 1899and wave-wave. On the other hand, newcomers may purposely get their pace, scoffing at anything they try. Fortunately, poor navigation is balanced by good performances – led by the charismatic Beecham and Pietschmann, who share a tight chemistry – as well as a gradual accumulation of bonkers developments.

Cryptic triangular symbols, mental wards, lemming-like zombies, mute children, disfigured faces, hidden hatches leading to tiled ducts and futuristic panels controlled by confusing control boxes are all part of the appeal, not to mention numerous motifs another that means more is that memory at the heart of this story. Then again, the series could be about understanding, identity or any number of other things, as Friese and bo Odar drop a wide variety of hints but keep things forever close. on the vest, thus generating the interesting mindset necessary to keep their guessing game going. launched.

“None of this makes any sense,” Eyk said halfway through 1899‘first season, and during that time so many unbelievable events have happened that almost any theory regarding the nature of this madness seems plausible. Like Friese and bo Odar’s previous flowing gem, this supernatural thriller is so knotty that trying to unravel its mysteries isn’t just a challenge but a headache is causing a headache – generally, in the best way.

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